![]() ![]() It uses the same amplitude modulation principle. Ring Mod is basically an extreme application of tremolo. Tremolator emulates some of the most classic hardware tremolo effects all in one powerful plugin. Soundtoys Tremolator is a fantastic creative tool for designing any kind of tremolo. Try using tremolo to create rhythmic action on sustained sources like synth pads or drones. ![]() ![]() Tremolo is commonly found on vintage guitar amps, so it’s associated with early guitar genres like surf and country.īut it can be a very interesting effect on all kinds of sources. ![]() It’s the easiest type of modulation to understand because you can easily hear the effect of the LFO settings on your sound.Ī softer, rounded sine wave shape will create a gentle bobbing tremolo, while a steep square wave will create a machine gun stutter. Amplitude modulation plugins vary the volume of your signal. Tremolo is an amplitude modulation effect. In this article I’ll go through all the common types of modulation, how they work and the best modulation plugins for each. Modulation LFOs work similarly to how LFOs are used in synthesis. We soon realized what was happening to our new baby: It was looking more and more like its true father, a famous 5-voice polyphonic synthesizer from the same company born in 1978.Get the tools to shape your sound with 30+ synths, instruments, effects and utilities plugins from industry leaders like Arturia, UJAM and more. A few cuts were inevitable (for instance in Repro-1, oscillator B can modulate its own pulse width, which we gladly dropped from Repro-5). It seemed that people liked Repro-1 so much, they wanted more… Would we please consider making it polyphonic?Īfter umming and ahing about the idea, we decided to give it our best. Repro-5 adds new dimensions to the familiar classic sound while keeping analogue authenticity front and centre.įirst we released Repro-1, a faithful component-level model of what was perhaps the mostpowerful-sounding monophonic keyboard ever built. Keep it lush, or go for thick detuned unison leads. First: it's polyphonic! Play rich pads, shape them using the resonant lowpass filter, drive the polyphonic distortion unit as hard as you like, and finally polish your sound with five built-in effects. Repro-5 shares a lot of sonic DNA with Repro-1, but adds new flavours and characteristics. Despite its molded plastic panel and the limitations of monophony, it sold surprisingly well and is generally recognized as an iconic piece of synthesizer history. The circuit design made good use of standard Curtis chips and the little onboard sequencer was more than just a welcome extra. Fat drones, cutting leads, funky basses, quirky sci-fi sound effects – this synthesizer delivered on all counts. To be commercially viable, any new monophonic instrument had to be cheap but very capable. In the early 1980s, polyphonic synthesizers were almost within reach of the average musician. The plug-in is a component-level model of perhaps the most powerful-sounding monophonic keyboard ever built. Hard working, raw sounding and immediately playable, it's a simple and intuitive synthesizer which belies a deep feature set capable of a wide range of sounds. Repro-1 is a fierce monosynth: The classic design gives you immediate access to all the raw power: Two oscillators, self-oscillating 4-pole lowpass filter, arpeggiator, step sequencer, the unique modulation section, and five stomp-box effects which can be arranged in any order. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |